{"id":6989,"date":"2024-01-23T15:50:44","date_gmt":"2024-01-23T13:50:44","guid":{"rendered":"https:\/\/www.theawardian.de\/?p=6989"},"modified":"2025-03-03T04:20:14","modified_gmt":"2025-03-03T02:20:14","slug":"oscar-nominierungen-2023-2024","status":"publish","type":"post","link":"https:\/\/www.theawardian.de\/?p=6989","title":{"rendered":"Oscar Nominierungen 2023\/24"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>Oppenheimer dominiert klar mit 13 Nominierungen, gefolgt von Poor Things mit 11 und Killers of the Flower Moon mit 10<\/li>\n\n\n\n<li>Greta Gerwig und Alexander Payne sind &#8222;raus&#8220; aus der Kategorie &#8222;Regie&#8220;\u2026<\/li>\n\n\n\n<li>\u2026 und Killers of the Flower Moon ist &#8222;raus&#8220; aus der Kategorie &#8222;Drehbuch&#8220;<\/li>\n\n\n\n<li>doppelter Internationaler Erfolg: Justine Triet und Jonathan Glazer sind BEIDE nominiert f\u00fcr die Beste Regie!<\/li>\n\n\n\n<li>allgemein sehr gemischte Gef\u00fchle f\u00fcr Barbie-Fans: America Ferrera ist drin als Nebendarstellerin, Margot Robbie raus als Hauptdarstellerin<\/li>\n\n\n\n<li>viele \u00dcberraschungen bei &#8222;Internationaler Film&#8220;: Frankreich, Finnland, Ukraine raus, Deutschland, Italien, Japan drin<\/li>\n\n\n\n<li>zum ersten Mal ist ein Mission Impossible Film bei den Oscars nominiert, in diesem Fall f\u00fcr Ton und Visuelle Effekte<\/li>\n<\/ul>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\">Bester Film<\/h2>\n\n\n\n<p>American Fiction<br>Anatomy of a Fall<br>Barbie<br>The Holdovers<br>Killers of the Flower Moon<br>Maestro<br>Oppenheimer<br>Past Lives<br>Poor Things<br>The Zone of Interest<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste Regie<\/h2>\n\n\n\n<p>Justine Triet (Anatomy of a Fall)<br>Martin Scorsese (Killers of the Flower Moon)<br>Christopher Nolan (Oppenheimer)<br>Yorgos Lanthimos (Poor Things)<br>Jonathan Glazer (The Zone of Interest)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Hauptdarsteller<\/h2>\n\n\n\n<p>Bradley Cooper (Maestro)<br>Colman Domingo (Rustin)<br>Paul Giamatti (The Holdovers)<br>Cillian Murphy (Oppenheimer)<br>Jeffrey Wright (American Fiction)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste Hauptdarstellerin<\/h2>\n\n\n\n<p>Annette Bening (Nyad)<br>Lily Gladstone (Killers of the Flower Moon)<br>Sandra H\u00fcller (Anatomy of a Fall)<br>Carey Mulligan (Maestro)<br>Emma Stone (Poor Things)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Nebendarsteller<\/h2>\n\n\n\n<p>Sterling K. Brown (American Fiction)<br>Robert De Niro (Killers of the Flower Moon)<br>Robert Downey Jr. (Oppenheimer)<br>Ryan Gosling (Barbie)<br>Mark Ruffalo (Poor Things)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste Nebendarstellerin<\/h2>\n\n\n\n<p>Emily Blunt (Oppenheimer)<br>Danielle Brooks (Die Farbe Lila \/ The Color Purple)<br>America Ferrera (Barbie)<br>Jodie Foster (Nyad)<br>Da&#8217;Vine Joy Randolph (The Holdovers)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bestes Drehbuch (adaptiert)<\/h2>\n\n\n\n<p>American Fiction<br>Barbie<br>Oppenheimer<br>Poor Things<br>The Zone of Interest<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bestes Drehbuch (original)<\/h2>\n\n\n\n<p>Anatomy of a Fall<br>The Holdovers<br>Maestro<br>May December<br>Past Lives<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Filmschnitt<\/h2>\n\n\n\n<p>Anatomy of a Fall<br>The Holdovers<br>Killers of the Flower Moon<br>Oppenheimer<br>Poor Things<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste Kamera<\/h2>\n\n\n\n<p>El Conde<br>Killers of the Flower Moon<br>Maestro<br>Oppenheimer<br>Poor Things<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste Kost\u00fcme<\/h2>\n\n\n\n<p>Barbie<br>Killers of the Flower Moon<br>Napoleon<br>Oppenheimer<br>Poor Things<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bestes Produktionsdesign<\/h2>\n\n\n\n<p>Barbie<br>Killers of the Flower Moon<br>Napoleon<br>Oppenheimer<br>Poor Things<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bestes Make-up und Haarstyling<\/h2>\n\n\n\n<p>Golda<br>Maestro<br>Oppenheimer<br>Poor Things<br>La Sociedad de la nieve \/ Die Schneegesellschaft<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste Originalmusik<\/h2>\n\n\n\n<p>American Fiction<br>Indiana Jones und das Rad des Schicksals \/ Indiana Jones and the Dial of Destiny<br>Killers of the Flower Moon<br>Oppenheimer<br>Poor Things<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Song<\/h2>\n\n\n\n<p>It Never Went Away (American Symphony)<br>I\u2019m Just Ken (Barbie)<br>What Was I Made For? (Barbie)<br>The Fire Inside (Flamin\u2019 Hot)<br>Wahzhazhe (A Song For My People) (Killers of the Flower Moon)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Ton<\/h2>\n\n\n\n<p>The Creator<br>Maestro<br>Mission: Impossible \u2013 Dead Reckoning Teil Eins \/ Mission: Impossible \u2013 Dead Reckoning Part One<br>Oppenheimer<br>The Zone of Interest<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Beste visuelle Effekte<\/h2>\n\n\n\n<p>The Creator<br>Godzilla Minus One<br>Guardians of the Galaxy Vol. 3<br>Mission: Impossible \u2013 Dead Reckoning Teil Eins \/ Mission: Impossible \u2013 Dead Reckoning Part One<br>Napoleon<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester animierter Film<\/h2>\n\n\n\n<p>Der Junge und der Reiher \/ Kimitachi wa D\u014d Ikiru ka \/ The Boy and the Heron<br>Elemental<br>Nimona<br>Robot Dreams<br>Spider-Man: Across the Spider-Verse<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Dokumentarfilm<\/h2>\n\n\n\n<p>Bobi Wine: The People&#8217;s President<br>La memoria infinita \/ Die Unendliche Erinnerung \/ The Eternal Memory<br>Les Filles d&#8217;Olfa \/ Olfas T\u00f6chter \/ Four Daughters<br>To Kill a Tiger<br>20 Days in Mariupol<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Internationaler Film<\/h2>\n\n\n\n<p>Das Lehrerzimmer \/ The Teacher&#8217;s Loung (Deutschland)<br>Io Capitano (Italien)<br>Perfect Days (Japan)<br>La Sociedad de la nieve \/ Die Schneegesellschaft \/ Society of the Snow (Spanien)<br>The Zone of Interest (Gro\u00dfbritannien)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Kurzfilm<\/h2>\n\n\n\n<p>The After<br>Ich sehe was, was du nicht siehst \/ The Wonderful Story of Henry Sugar<br>Red, White and Blue<br>Ridder Lykke \/ Knight of Fortune<br>Unbesiegbar \/ Invincible<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester animierter Kurzfilm<\/h2>\n\n\n\n<p>Letter to a Pig<br>Ninety-Five Senses<br>Our Uniform<br>Pachyderme<br>War Is Over! Inspired by the Music of John &amp; Yoko<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Bester Kurzdokumentarfilm<\/h2>\n\n\n\n<p>ABC des Buchverbots, Das \/ The ABCs of Book Banning<br>The Barber of Little Rock<br>Island in Between<br>The Last Repair Shop<br>N\u01cei Nai &amp; W\u00e0i P\u00f3<\/p>\n\n\n\n<p>Tally<\/p>\n\n\n\n<p>13 &#8211; Oppenheimer<br>11 &#8211; Poor Things<br>10 &#8211; Killers of the Flower Moon<br>08 &#8211; Barbie<br>07 &#8211; Maestro<br>05 &#8211; American Fiction<br>05 &#8211; Anatomy of a Fall<br>05 &#8211; The Holdovers<br>05 &#8211; The Zone of Interest<br>03 &#8211; Napoleon<br>02 &#8211; The Creator<br>02 &#8211; Mission: Impossible \u2013 Dead Reckoning Teil Eins<br>02 &#8211; Nyad<br>02 &#8211; Past Lives<br>02 &#8211; La Sociedad de la nieve \/ Die Schneegesellschaft<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,1,12],"tags":[],"class_list":["post-6989","post","type-post","status-publish","format-standard","hentry","category-movie","category-allgemein","category-movie-awards"],"_links":{"self":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/6989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6989"}],"version-history":[{"count":28,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/6989\/revisions"}],"predecessor-version":[{"id":7851,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/6989\/revisions\/7851"}],"wp:attachment":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}