{"id":6898,"date":"2021-04-26T02:36:44","date_gmt":"2021-04-26T00:36:44","guid":{"rendered":"https:\/\/www.theawardian.de\/?p=6898"},"modified":"2025-03-03T04:20:03","modified_gmt":"2025-03-03T02:20:03","slug":"6898","status":"publish","type":"post","link":"https:\/\/www.theawardian.de\/?p=6898","title":{"rendered":"Oscar Gewinner 2020\/21"},"content":{"rendered":"<p>&#8211; Nomadland ist der Sieger des Abends: Picture, Director, Actress (Frances McDormand)<br \/>\n&#8211; Die Academy hat es tats\u00e4chlich getan (!) und hat Chadwick Boseman NICHT den Oscar gegeben, sondern Anthony Hopkins!<br \/>\n&#8211; Sound of Metal, Soul, The Father, Judas and the Black Messiah &amp; Ma Rainey&#8217;s Black Bottom erhalten je zwei Oscars. Definiere &#8222;Spread the Wealth&#8220;<br \/>\n&#8211; Promising Young Womand &amp; Minari kriegen je einen Oscar. Trial of the Chicago 7? Zilch, Zero, Nix<br \/>\n&#8211; Ansonsten: einen Oscar f\u00fcr Tenet, einen f\u00fcr Another Round, einen f\u00fcr My Octopus Teacher.<br \/>\n&#8211; Eine Verleihung gepr\u00e4gt von langen reden, ohne gro\u00dfes Filmclips-Brimborium wie sonst. Das Ende arg hastig inszeniert.<\/p>\n<p><!--more--><\/p>\n<h2><span style=\"color: #80bfff;\"><!--more-->Bester Film<\/span><\/h2>\n<p>The Father<br \/>\nJudas and the Black Messiah<br \/>\nMank<br \/>\nMinari<br \/>\n<b>Nomadland &#8211; WINNER<\/b><br \/>\nPromising Young Women<br \/>\nSound of Metal<br \/>\nThe Trial of the Chicago 7<\/p>\n<h2><span style=\"color: #80bfff;\">Beste Regie<\/span><\/h2>\n<p><b>Chloe Zhao (Nomadland) &#8211; WINNER<\/b><br \/>\nDavid Fincher (Mank)<br \/>\nEmerald Fennell (Promising Young Woman)<br \/>\nLee Isaac Chung (Minari)<br \/>\nThomas Vinterberg (Another Round)<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Hauptdarsteller<\/span><\/h2>\n<p><b>Anthony Hopkins (The Father) &#8211; WINNER<\/b><br \/>\nChadwick Boseman (Ma Rainey&#8217;s Black Bottom)<br \/>\nGary Oldman (Mank)<br \/>\nRiz Ahmed (Sound of Metal)<br \/>\nSteven Yeun (Minari)<\/p>\n<h2><span style=\"color: #80bfff;\">Beste Hauptdarstellerin<\/span><\/h2>\n<p>Andra Day (The United States vs. Billie Holiday)<br \/>\nCarey Mulligan (Promising Young Woman)<br \/>\n<b>Frances McDormand (Nomadland) &#8211; WINNER<\/b><br \/>\nVanessy Kirby (Pieces of a Woman)<br \/>\nViola Davis (Ma Rainey&#8217;s Black Bottom)<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Nebendarsteller<\/span><\/h2>\n<p><b>Daniel Kaluuya (Judas and the Black Messiah) &#8211; WINNER<\/b><br \/>\nLaKeith Stanfield (Judas and the Black Messiah)<br \/>\nLeslie Odom, Jr. (One Night in Miami)<br \/>\nPaul Raci (Sound of Metal)<br \/>\nSacha Baron Cohen (The Trial of the Chicago 7)<\/p>\n<h2><span style=\"color: #80bfff;\">Beste Nebendarstellerin<\/span><\/h2>\n<p>Amanda Seyfried (Mank)<br \/>\nGlenn Close (Hillbilly Elegy)<br \/>\nMaria Bakalova (Borat Subsequent Moviefilm)<br \/>\nOlivia Colman (The Father)<br \/>\n<b>Yuh-Jung Youn (Minari) &#8211; WINNER<\/b><\/p>\n<h2><span style=\"color: #80bfff;\">Bestes Drehbuch (adaptiert)<\/span><\/h2>\n<p>Borat Subsequent Moviefilm<br \/>\n<b>The Father &#8211; WINNER<\/b><br \/>\nNomadland<br \/>\nOne Night in Miami<br \/>\nThe White Tiger<\/p>\n<h2><span style=\"color: #80bfff;\">Bestes Drehbuch (original)<\/span><\/h2>\n<p>Judas and the Black Messiah<br \/>\nMinari<br \/>\n<b>Promising Young Woman &#8211; WINNER<\/b><br \/>\nSound of Metal<br \/>\nThe Trial of the Chicago 7<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Filmschnitt<\/span><\/h2>\n<p>The Father<br \/>\nNomadland<br \/>\nPromising Young Woman<br \/>\n<b>Sound of Metal &#8211; WINNER<\/b><br \/>\nThe Trial of the Chicago 7<\/p>\n<h2><span style=\"color: #80bfff;\">Beste Kamera<\/span><\/h2>\n<p>Judas and the Black Messiah<br \/>\n<b>Mank &#8211; WINNER<\/b><br \/>\nNews of the World<br \/>\nNomadland<br \/>\nThe Trial of the Chicago 7<\/p>\n<h2><span style=\"color: #80bfff;\">Beste Kost\u00fcme<\/span><\/h2>\n<p>Emma<br \/>\n<b>Ma Rainey&#8217;s Black Bottom &#8211; WINNER<\/b><br \/>\nMank<br \/>\nMulan<br \/>\nPinocchio<\/p>\n<h2><span style=\"color: #80bfff;\">Bestes Produktionsdesign<\/span><\/h2>\n<p>The Father<br \/>\nMa Rainey&#8217;s Black Bottom<br \/>\n<b>Mank &#8211; WINNER<\/b><br \/>\nNews of the World<br \/>\nTenet<\/p>\n<h2><span style=\"color: #80bfff;\">Bestes Make-up und Haarstyling<\/span><\/h2>\n<p>Emma<br \/>\nHillbilly Elegy<br \/>\n<b>Ma Rainey&#8217;s Black Bottom &#8211; WINNER<\/b><br \/>\nMank<br \/>\nPinocchio<\/p>\n<h2><span style=\"color: #80bfff;\">Beste Originalmusik<\/span><\/h2>\n<p>Da 5 Bloods<br \/>\nMank<br \/>\nMinari<br \/>\nNews of the World<br \/>\n<b>Soul &#8211; WINNER<\/b><\/p>\n<h2><span style=\"color: #80bfff;\">Bester Song<\/span><\/h2>\n<p><b>Fight for You (Judas and the Black Messiah) &#8211; WINNER<\/b><br \/>\nHear My Voice (The Trial of the Chicago 7)<br \/>\nHusavik (Eurovision Song Contest)<br \/>\nIo Si (The Life Ahead)<br \/>\nSpeak Now (One Night in Miami)<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Ton<\/span><\/h2>\n<p>Greyhound<br \/>\nMank<br \/>\nNews of the World<br \/>\nSoul<br \/>\n<b>Sound of Metal &#8211; WINNER<\/b><\/p>\n<h2><span style=\"color: #80bfff;\">Beste visuelle Effekte<\/span><\/h2>\n<p>Love and Monsters<br \/>\nThe Midnight Sky<br \/>\nMulan<br \/>\nThe One and Only Ivan<br \/>\n<b>Tenet &#8211; WINNER<\/b><\/p>\n<h2><span style=\"color: #80bfff;\">Bester animierter Film<\/span><\/h2>\n<p>Onward<br \/>\nOver the Moon<br \/>\nA Shaun the Sheep Movie: Farmageddon<br \/>\n<b>Soul &#8211; WINNER<\/b><br \/>\nWolfwalkers<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Dokumentarfilm<\/span><\/h2>\n<p>Collective<br \/>\nCrip Camp<br \/>\nThe Mole Agent<br \/>\n<b>My Octopus Teacher &#8211; WINNER<\/b><br \/>\nTime<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Internationaler Film<\/span><\/h2>\n<p><b>Another Round &#8211; WINNER<\/b><br \/>\nBetter Days<br \/>\nCollective<br \/>\nThe Man Who Sold His Skin<br \/>\nQuo Vadis, Aida?<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Kurzfilm<\/span><\/h2>\n<p>Feeling Through<br \/>\nThe Letter Room<br \/>\nThe Present<br \/>\n<b>Two Distant Strangers &#8211; WINNER<\/b><br \/>\nWhite Eye<\/p>\n<h2><span style=\"color: #80bfff;\">Bester animierter Kurzfilm<\/span><\/h2>\n<p>Burrow<br \/>\nGenius Loci<br \/>\n<b>If Anything Happens I Love You &#8211; WINNER<\/b><br \/>\nOpera<br \/>\nYes-People<\/p>\n<h2><span style=\"color: #80bfff;\">Bester Kurzdokumentarfilm<\/span><\/h2>\n<p>A Concerto Is a Conversation<br \/>\nA Love Song for Latasha<br \/>\n<b>Colette &#8211; WINNER<\/b><br \/>\nDo Not Split<br \/>\nHunger Ward<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; Nomadland ist der Sieger des Abends: Picture, Director, Actress (Frances McDormand) &#8211; Die Academy hat es tats\u00e4chlich getan (!) und hat Chadwick Boseman NICHT den Oscar gegeben, sondern Anthony Hopkins! &#8211; Sound of Metal, Soul, The Father, Judas and the Black Messiah &amp; Ma Rainey&#8217;s Black Bottom erhalten je zwei Oscars. Definiere &#8222;Spread the Wealth&#8220; &#8211; Promising Young Womand &amp; Minari kriegen je einen Oscar. Trial of the Chicago 7? Zilch, Zero, Nix &#8211; Ansonsten: einen Oscar f\u00fcr Tenet, einen f\u00fcr Another Round, einen f\u00fcr My Octopus Teacher. &#8211; Eine Verleihung gepr\u00e4gt von langen reden, ohne gro\u00dfes Filmclips-Brimborium wie sonst. Das Ende arg hastig inszeniert.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,1,12],"tags":[],"class_list":["post-6898","post","type-post","status-publish","format-standard","hentry","category-movie","category-allgemein","category-movie-awards"],"_links":{"self":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/6898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6898"}],"version-history":[{"count":15,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/6898\/revisions"}],"predecessor-version":[{"id":7850,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/6898\/revisions\/7850"}],"wp:attachment":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}