{"id":5087,"date":"2016-02-07T14:00:26","date_gmt":"2016-02-07T13:00:26","guid":{"rendered":"http:\/\/www.theawardian.de\/?p=5087"},"modified":"2016-02-07T13:54:31","modified_gmt":"2016-02-07T12:54:31","slug":"ost-64-katamari-damacy","status":"publish","type":"post","link":"https:\/\/www.theawardian.de\/?p=5087","title":{"rendered":"OST #64: Katamari Damacy"},"content":{"rendered":"<p><i><a href=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/064-Katamari_Damacy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5088\" alt=\"064-Katamari_Damacy\" src=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/064-Katamari_Damacy.jpg\" width=\"600\" height=\"140\" srcset=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/064-Katamari_Damacy.jpg 600w, https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/064-Katamari_Damacy-300x70.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>Composer: Yu Miyake &amp; Asuka Sakai<br \/>\nAdditional Composer: Akitaka Tohyama, Yoshihito Yano, Yuri Misumi &amp; Hideki Tobeta<br \/>\nSystem: PlayStation 2<br \/>\nYear: 2004<\/i><\/p>\n<p><!--more-->Was kommt heraus wenn man J-Pop, Jazz, Samba, Klassik, Electronic, Techno und Fahrstuhlmusik unter dem mutma\u00dflichen Einfluss von ganz viel Drogen mischt? Richtig: <b>Katamari Damacy<\/b>. Ist bereits das Spiel aufgrund seiner Pr\u00e4misse sensationell bescheuert, so durchbricht der Soundtrack endg\u00fcltig alle Konventionen.<\/p>\n<p>Bereits die vergleichsweise hohe Anzahl an Komponisten verbl\u00fcfft, denn gleichwohl Yu Miyake und Asuka Sakai etwas mehr als die H\u00e4lfte aller St\u00fccke f\u00fcr sich verbucht haben, so gehen jeweils mindestens zwei Werke auf die Konten von Tohyama, Yano, Misumi und Tobeta. Ein Gro\u00dfteil davon sind richtige Songs mit Text und Gesang oder zumindest verzerrten Vocals \u2013 letztere sind beispielsweise in der herrlich klassischen \u201eFugue #7777\u201c zu h\u00f6ren.<\/p>\n<p>Manche Lieder wie \u201eQue Sera Sera\u201c k\u00f6nnten glatt in einer Hotellobby spielen, w\u00e4hrend \u201eWanda Wanda\u201c jede japanische Disco sprengt. Der Preis f\u00fcr den besten Song 2004 geht aber ganz klar an Akitaka Tohyamas \u201eThe Moon &amp; The Prince\u201c: Ein Pulk voller gew\u00f6hnlicher bis experimenteller Elemente bilden eine gleicherma\u00dfen zug\u00e4ngliche wie innovative Einheit, in denen sogar das gebrochene Englisch funktioniert ohne peinlich zu sein.<\/p>\n<p>Nat\u00fcrlich gibt es auch derart schr\u00e4ge Momente, bei denen man ernsthaft die Gesundheit des verantwortlichen Musikers hinterfragt. Aber die nehmt ihr aufgrund der ideenreichen Gesamtleistung schulterzuckend in Kauf.<\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\"  id=\"_ytid_96063\"  width=\"576\" height=\"432\"  data-origwidth=\"576\" data-origheight=\"432\" src=\"https:\/\/www.youtube.com\/embed\/pUJeiEva0Hw?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;disablekb=0&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/Katamari_Damacy_CD.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-5089\" alt=\"Katamari_Damacy_CD\" src=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/Katamari_Damacy_CD-1024x1013.jpg\" width=\"576\" height=\"569\" srcset=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/Katamari_Damacy_CD-1024x1013.jpg 1024w, https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/Katamari_Damacy_CD-300x297.jpg 300w, https:\/\/www.theawardian.de\/wp-content\/uploads\/2016\/02\/Katamari_Damacy_CD.jpg 1404w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composer: Yu Miyake &amp; Asuka Sakai Additional Composer: Akitaka Tohyama, Yoshihito Yano, Yuri Misumi &amp; Hideki Tobeta System: PlayStation 2 Year: 2004<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,15],"tags":[],"class_list":["post-5087","post","type-post","status-publish","format-standard","hentry","category-score","category-personal-top-365-score"],"_links":{"self":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/5087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5087"}],"version-history":[{"count":3,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/5087\/revisions"}],"predecessor-version":[{"id":5092,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/5087\/revisions\/5092"}],"wp:attachment":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}