{"id":1443,"date":"2015-05-02T14:00:13","date_gmt":"2015-05-02T12:00:13","guid":{"rendered":"http:\/\/www.theawardian.de\/?p=1443"},"modified":"2015-04-30T14:02:19","modified_gmt":"2015-04-30T12:02:19","slug":"ost-345-the-world-ends-with-you","status":"publish","type":"post","link":"https:\/\/www.theawardian.de\/?p=1443","title":{"rendered":"OST #345 &#8211; The World Ends With You"},"content":{"rendered":"<p><a href=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2015\/05\/345-The_World_Ends_With_You_OST.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1445\" alt=\"345-The_World_Ends_With_You_[OST]\" src=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2015\/05\/345-The_World_Ends_With_You_OST.jpg\" width=\"600\" height=\"140\" srcset=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2015\/05\/345-The_World_Ends_With_You_OST.jpg 600w, https:\/\/www.theawardian.de\/wp-content\/uploads\/2015\/05\/345-The_World_Ends_With_You_OST-300x70.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><i>Composer: Takeharu Ishimoto<br \/>\nSystem: Nintendo DS<br \/>\nYear: 2007<\/i><\/p>\n<p><!--more--><span style=\"line-height: 1.5;\">Nach <\/span><b style=\"line-height: 1.5;\">Shenmue<\/b><span style=\"line-height: 1.5;\"> folgt mit <\/span><b style=\"line-height: 1.5;\">The World Ends With You<\/b><span style=\"line-height: 1.5;\"> gleich der n\u00e4chste Streich, dessen relativ niedrige Platzierung sicherlich einige Videospielmusikenthusiasten entt\u00e4uschen d\u00fcrfte. Wo ich gestern noch zumindest damit argumentieren konnte, dass mir die brillante Musik einfach zu selten w\u00e4hrend des eigentlichen Spielverlaufs begegnet, so ist heute keine Ausrede dieser Art in Sicht.<\/span><\/p>\n<p><span style=\"line-height: 1.5;\">Nein, in diesem Fall muss ich die \u201eMir ist das eine Spur zu wirr\u201c-Karte ziehen:<\/span><b style=\"line-height: 1.5;\"> The Word Ends With You<\/b><span style=\"line-height: 1.5;\"> besteht fasst durchweg aus Songs, deren Gesangsstimmen in aller Regelm\u00e4\u00dfigkeit durch irgendwelche Stimmverzerrer gezw\u00e4ngt wurden. Manchmal klingt die Musik wabbernd, manchmal hallend, manchmal dumpf&#8230; und in meinen Augen hat es Hauptkomponist Takeharu Isimoto stellenweise mit der Effekthascherei \u00fcbertrieben. Zudem halte ich es f\u00fcr einen Fehler, ein RPG mit derart vielen Songs zu vertonen \u2013 das ist einfach zu viel des \u201cGuten\u201c und lenkt mich auf Dauer eher ab anstatt dass es der Spielatmosph\u00e4re hilft.<\/span><\/p>\n<p>Das Isomoto auch instrumental hip, modern und poppig klingt, beweist der Japaner mit dem starken Hauptthema \u201eIt&#8217;s So Wonderful\u201c: Das Klavier klimpert atonal die immer gleichen Takte, der Bass begleitet gleichzeitig bestimmend wie zur\u00fcckhaltend und der Synthesizer gibt T\u00f6ne von sich, die ihr in der Form noch nie geh\u00f6rt habt. Davon h\u00e4tte ich gerne mehr habe.<\/p>\n<p><em><strong>Soundtrack-Ver\u00f6ffentlichungen [Original]<\/strong><\/em><br \/>\n<em><strong><a href=\"http:\/\/vgmdb.net\/album\/9312\">The World Ends With You Original Soundtrack + Bonus Track<\/a><\/strong><\/em><\/p>\n<p>&nbsp;<br \/>\n<iframe loading=\"lazy\"  id=\"_ytid_44542\"  width=\"576\" height=\"324\"  data-origwidth=\"576\" data-origheight=\"324\" src=\"https:\/\/www.youtube.com\/embed\/LF7iL9_vu1Q?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;disablekb=0&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2015\/05\/The_World_Ends_With_You.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1753\" alt=\"The_World_Ends_With_You\" src=\"https:\/\/www.theawardian.de\/wp-content\/uploads\/2015\/05\/The_World_Ends_With_You.jpg\" width=\"600\" height=\"598\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composer: Takeharu Ishimoto System: Nintendo DS Year: 2007<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,15],"tags":[],"class_list":["post-1443","post","type-post","status-publish","format-standard","hentry","category-score","category-personal-top-365-score"],"_links":{"self":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/1443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1443"}],"version-history":[{"count":8,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/1443\/revisions"}],"predecessor-version":[{"id":1754,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=\/wp\/v2\/posts\/1443\/revisions\/1754"}],"wp:attachment":[{"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theawardian.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}